Dawn on the Prairie: Returning to the Wainwright Grouse Lek

There’s a magic that stirs in the early prairie light—something ancient, electric, and profoundly alive. For the second time in my life, I found myself bearing witness to it, skulking quietly in a blind somewhere on the grassland outside Wainwright, Alberta, watching the Sharp-tailed Grouse gather and ignite the land with their springtime ritual. The accounts of my first time attending this event are documented in here and here.

The Sharp-tailed Grouse watch is an annual event organized by the Wainwright Wildlife Society—is more than just a birding excursion—it’s an invitation into a world older than memory. Each spring, these prairie dancers return to their ancestral leks where the males perform a spectacle that defies description. To call it a “mating display” feels inadequate. It’s a full-bodied expression of wild instinct and evolution, refined by millennia of selection, played out with whirring wings, staccato foot-stomping, and those impossible, ballooning purple air sacs. This is one dance party where the boys do all the dancing—and the girls remain motionless, watch and judge.

Waiting for the ladies.

This year, I returned with a birding friend—someone equally moved by the subtle drama of sunrise and feather. We arrived in the pre-dawn hush, guided to our blind while the stars still clung to the sky. In the twilight we could already discern the silhouettes and the rustle of the dancing feathered denizens of this grassland. Once we were settled in our hides and rigged up our cameras, the waiting began—the kind that heightens every sense, making you aware of each breath, each rustle. A number of early birds were already present in the field, idling about, perhaps scouting out the best dancing spot or just assessing their chances to get lucky.

Front row seats to the dance performance of the year

And then—they started dancing. At first, they were just shadows moving between the tussocks. But as the light lifted, so did the tempo. Soon the lek exploded into motion: tails fanned, wings held stiff, bodies vibrating with energy. The males faced off and danced with frenetic determination, each movement part performance, part territorial defiance. On this morning there were mainly males, probably 20ish, and only a few females making an appearance. Being mid-May, this was one of the last grouse watch excursion of the year and it’s possible that most of the females had already mated and were in a nesting phase.

While the Sharp-tailed Grouse lek might appear as a chaotic dance party, it is in fact a highly structured arena of sexual selection. Females visit the lek primarily to observe rather than participate, silently watching from the edges as males display in feverish competition. Research has shown that females are incredibly discerning—they typically choose just one male per season, selecting him based on a combination of traits: vigorous and frequent displays, dominance of central territories within the lek, symmetry and size of the combs over the eyes, and the prominence and coordination of air sac inflation and vocalizations. Mating success is heavily skewed—just a few top-performing males are responsible for the majority of copulations. Once a female has mated, she departs alone to nest in dense cover, incubate her eggs, and raise her brood without any help from the male. The entire spectacle, then, is not just a performance—it’s a life-or-death audition for the future of their lineage.

Prairie Bachelor Seeking Spring Fling

Looking for: One fabulous hen to impress with tail fanning, fast-foot stomping, and ridiculous balloon-neck flexing.

About Me: I coo, I strut, I puff. I’ve got fire-red eye combs and a lekking spot that screams “alpha.” No nest, no parenting, all passion. If you’re into commitment-free spring flings with maximum flair, I’m your bird.

Swipe right at dawn—I’ll be shaking it like evolution depends on it.

Watching this unique display again reminded me why I do this. Why I get up at 3:30 in the morning. Why I drive for hours through the dark morning hours while the rest of the world still sleeps. Why I carry back breaking heavy gear into the cold. It’s for these fleeting moments when time slips, and I feel plugged into something wild and real.

As I write this, I can still hear the low drumming of wings, still see the blur of feathers caught in the rising light—prairie grasses glowing gold as the first light spills across these ancestral land. For a fleeting moment, we were not just observes, but a thread in an ancient ritual woven into the fabric of the grasslands. The birds are still calling, and I’m still listening.

A Western Meadowlark looks on with the calm indifference of someone who’s seen it all before.

References

Gibson, R. M., & Bradbury, J. W. (1985). Sexual selection in lekking birds: Are female preferences consistent? The American Naturalist, 126(6), 881–895. https://www.jstor.org/stable/2461497

Montana Fish, Wildlife & Parks. (2017). Sharp-tailed Grouse Reintroduction Plan. Montana State University. https://animalrange.montana.edu/documents/faculty/Sharp-tailed%20grouse%20Reintroduction%20Plan%20Final%20May%202017.pdf

Washington Department of Fish & Wildlife. (1995). Washington state status report for the Sharp-tailed Grouse. https://wdfw.wa.gov/sites/default/files/publications/00389/wdfw00389.pdf

Wikipedia contributors. (2024). Sharp-tailed grouse. Wikipedia. https://en.wikipedia.org/wiki/Sharp-tailed_grouse

May the curiosity be with you. This is from “The Birds are Calling” blog (www.thebirdsarecalling.com). Copyright Mario Pineda.

Project 366 – Post No. 283 – Multicoloured bokeh balls

What is Project 366? Read more here.

Bokeh balls is the aesthetic quality of blur produced in the out-of-focus points of light of an image produced by a lens. Bokeh balls are particularly common when one is doing back-lit photography. Bokeh balls are fun and I only discover them after having taken the picture and when I am in post-processing, making their presence in photographs unpredictable and serendipitous. In this picture of ice covered leaves of grass shot in back-lit conditions I ended up with multicolored bokeh balls (to the left of the grass).

May the curiosity be with you. This is from “The Birds are Calling” blog (www.thebirdsarecalling.com). Copyright Mario Pineda.

Project 366 – Post No. 046 – Sap Green

What is Project 366? Read more here!

I have to admit there were days when I though this day would never come. The fact that the first day of spring technically was on March 20 almost seems like a cruel joke here in central Alberta. Its mid-May and it has not been until the last few days that we saw the first few green leaves bursting out. If white is the colour of winter, then the colour of budding foliage must be the colour of spring. This is not just any colour of green, it is a light, airy, fresh and rejuvenating color. Artist have a name for this particular hue of green – sap green. Some plain-air painters, in particular, prefer sap green for foliage because it is a warm, yellow green that mixes well for sunlight-infused trees.

Sun-infused objects make great subjects for photography. Today was a gorgeous sunny evening and it would have been criminal to spend it indoors. Said and done. After work I went out to Heritage Wetlands in Sherwood Park for some evening birding around the ponds. All in all, it was a great success with 23 species, including 4 lifers (indicated by *). I also managed to get a bunch of decent pictures of many of the species. After 6 weeks with the Nikon P1000 I am finally starting to feel that I am able to tame this beast of a camera.

Sherwood Park–Heritage Wetlands Park, Edmonton, Alberta, CA
13-May-2019 6:13 PM – 8:10 PM
Protocol: Traveling
3.389 kilometer(s)
22 species (+1 other taxa)

Canada Goose (Branta canadensis)  2
American Wigeon (Mareca americana)  2
Mallard (Anas platyrhynchos)  10
Redhead (Aythya americana)  4
Ruddy Duck (Oxyura jamaicensis)  10
Red-necked Grebe (Podiceps grisegena)  3
American Coot (Fulica americana)  4
gull sp. (Larinae sp.)  1
Common Tern (Sterna hirundo)  5 *
American White Pelican (Pelecanus erythrorhynchos)  2
Northern Flicker (Colaptes auratus)  2
Eastern Phoebe (Sayornis phoebe)  1
American Crow (Corvus brachyrhynchos)  3
Common Raven (Corvus corax)  2
Purple Martin (Progne subis)  4 *
Tree Swallow (Tachycineta bicolor)  4
Black-capped Chickadee (Poecile atricapillus)  2
American Robin (Turdus migratorius)  3
White-crowned Sparrow (Zonotrichia leucophrys)  1 *
Song Sparrow (Melospiza melodia)  1
Red-winged Blackbird (Agelaius phoeniceus)  30
Common Grackle (Quiscalus quiscula)  1 *
House Sparrow (Passer domesticus)  3

Nikon P1000, 868mm @ 35mm, 1/500s, f/5.6, ISO 360. Postprocessed and cropped in Lightroom.

May the curiosity be with you. This is from “The Birds are Calling” blog (www.thebirdsarecalling.com). Copyright Mario Pineda.

Project 366 – Post No. 030 – Deadeye Robin

What is Project 366? Read more here!

I had been bushwhacking along the trails and through the brush at the Whitemud Creek for a few hours and the sun was getting low in the sky. I had just finished checking part of the trail where Pileated Woodpeckers often hang out (with no luck). As I started heading back a quick bout of chirping in the shrubbery along the trail caught my attention. The twilight made it tricky to find the culprit, but there it was – an American Robin sitting in a Mountain Ash just minding its own business. Initially I did not reach for my camera as I already have plenty of pictures of robins and it was getting too dark to take pictures anyway. The robin was, however, sitting completely still, almost like it was posing for me so I figured that I could at least try to get a picture of it. While I did have the camera on a monopod I figured that the chances of the pictures turning our would be quite slim. It was getting dark and there was jumble of twigs and branches between me and the robin. I doubted the camera would be able to focus properly through the shrubbery in the low light. To my surprise the camera nailed the focus immediately. At 1/60s (which is a really long exposure at 705mm zoom) and ISO 500 (which is a sure recipe for grainy images lacking detail) the exposure settings were a bit challenging to say the least. I ended up only taking a few pictures. When I inspected the images back at the car I was astonished. Every single image was razor sharp (by P1000 standards), the exposure was spot on and the the bokeh was awesome. The P1000 really throws me for loops at times. Only a few days earlier I had been shooting Ospreys in transmission towers under, what would be considered, ideal conditions (a backdrop of a bright blue sky, no interfering shrubbery, etc.). Despite this, I had great difficulty coaxing the camera into focusing properly (both with auto focus and manual focus) and the pictures came out unacceptably soft. For a brief moment the robin made me feel like a deadeye, but the truth is that I am still not able to wrap my head around why the camera struggled with the osprey in what should have been ideal conditions but nailed the robin in the twilight.

On a side note. This post is #30 of my Project 366. One month down, eleven to go. Congratulations to…, me! Keep up the great work. 😁

Nikon P1000, 705mm equivalent, 1/60s, f/5, ISO 500

May the curiosity be with you. This is from “The Birds are Calling” blog (www.thebirdsarecalling.com). Copyright Mario Pineda.